Umphrey's McGee took the stage at Stubb's for the second year in a row on 4/20 - this time on a Friday night - and did what they do best, face meltage. Unfortunately, we didn't film them this year, but if you're looking for a taste of UM at one of the best outdoor venues around, look no further! TourGigs has their 4.20.11 show (that Roxwel filmed) for sale via Blu-ray, DVD and digital download. \mm/
4.20.12 | Stubb's Bar-B-Q | Austin, TX Set 1: There's No Crying in Mexico > Domino Theory, Wappy Sprayberry > 2nd Self, Plunger > Glory > Plunger, Ocean Billy, Miami Virtue > Live and Let Die Set 2: Gurgle > Miss Tinkle's Overture, Conduit (1) > Burning Down the House > Pay the Snucka > Bridgeless > Puppet String, The Triple Wide > Bridgeless Encore: JaJunk
(1) with A Love Supreme jam
photos by @crunchyMunckin
Austin's friendly local music blog ATXSounds put on yet another great party with a stellar lineup of Austin musicians at Love Goat on Guadalupe. The Spring Me! party featured the likes of The Keller Brothers feat. Greg Izor & Willie Pipkin, Esther LaVonne, Bat's Blood, The Janes, The Wolf and Tiger Waves. Kicking off at 4pm on a perfectly breezy spring afternoon on Saturday, April 14, the musically clad party also offered free-flowing kegs, a never-ending buffet of snacks and treats (I should know!), and, most importantly, good friends who always put a smile on this girl's face.
Be sure to checkout ATXSounds' blog and Facebook page so you don't miss the next one...it's a guaranteed fun time! And if you don't live in Austin, no worries - actually, that's all the more reason to stay tuned into what these tastemakers are saying. They do an unreal job covering national touring acts that travel through Austin (and you know we're in a musical sweet spot) - and beyond - along with the oh-so talented musicians that truly give the Live Music Capital its name.
BIG thanks to everyone who made it out and made this happen. You guys sure know how to put on a party, especially when it counts most.
The Keller Brothers feat. Greg Izor & Willie Pipkin
Esther LaVonne
Esther LaVonne w/ Jansen Hawkins
Jansen Hawkins
Bat's Blood
The Janes
The Wolf
Tiger Waves
Yonder Mountain String Band put on one hell of a show at Stubb's on April 6, 2012, plucking and strumming their way through the night with a pretty lengthy setlist. I only wish I could recreate the serious bluegrass break dancin' by one fan in particular. It was impossible not to watch in awe-mazement.
Set I: Sideshow Blues, Pockets, My Gal, Don't Worry Happy Birthday, Blue Collar Blues, Years with Rose, Shake Me Up, Straight Line, New Horizons, Only a Northern Song, New Horizons Set II: All the Time, Ripcord Blues, Too Late Now, Polka on a Banjo, Ooh La La, Going Across the Sea, Big Spike Hammer, Just the Same, Jail Song, Cuckoo's Nest, Looking Back Over My Shoulder, Traffic Jam, 2 Hits, Southern Flavor Encore: Steep Grade Sharpe Curves, Going Where They Do Not Know My Name
Childish Gambino - aka Donald Glover's rappin' alter ego - sold out Stubb's on April 5, 2012. The actor/writer/comedian and now turned musician is a true performer, never losing the crowd's attention once. Honestly, I had never seen a more energetic audience at Stubb's and maybe in Austin ever. The kids were rapping along with the talented Glover...hands waving in the air, bouncing around, jumping up and down.
Pearl Jam frontman Eddie Vedder has postponed a 15-city solo tour of the US after treatments to repair temporary nerve damage to his right arm proved unsuccessful, according to an announcement on PearlJam.com today.
The right-handed rock star suffered a back injury earlier this year that affected his strumming arm.
Manager Kelly Curtis said on the band's website that, "After having worked aggressively with doctors and physical therapists for the last eight weeks to repair the damage, the intensity of the injury and time needed to heal has made it impossible to play the shows as scheduled."
The tour - which was set to begin on April 10 in Las Vegas - will now begin on the last day of October. Curtis said Vedder had hoped "up until the last minute" that treatments would have allowed him to start the tour on time.
"Sincerest apologies go out to those who have made plans and bought tickets," he said. "Eddie is frustrated beyond measure, but remains positive that come this summer all will be back in good form."
Supporting his 2011 solo album, Ukulele Songs, Vedder's tour now begins October 31 at the Pearl in Las Vegas, and will wrap up November 28 in Orlando. The only stop that has been canceled outright is his May 3 engagement at the New Orleans Jazz & Heritage Festival.
Tickets will be honored for rescheduled dates and refunds are available upon request. Swell Season singer Glen Hansard will open all the dates.
Blitzen Trapper
Between the horrid allergies and being rundown on day #7 of my SXSW ramblings, my body started saying, "Eff you!!" No worries, though. Music is my lifeline, and it kept me going through Sunday. Friday kicked off with Blitzen Trapper at the Radio Day Stage in the Convention Center. I had never seen Portland's country/folk rockers…and they were a perfect start to the day. I loved all the people chilling on the body-size cushions, certainly reminiscent of being comfortably sprawled on the grass listening to some feel-good tunes on a beautiful springtime day (minus the pollen, sunshine and breeze).
The War on Drugs
Seeing The War on Drugs at the Moody Theatre (home to Austin City Limits) was at the top of my list for the day after having seen them the night before and being awestruck by the Philly natives. I knew they would sound phenomenal in the Moody too, which, of course, they did. It was only disappointing when the show ended. And then it was onto seeing Brooklyn's indie-pop trio Hospitality at Frank before getting in line at the Elephant Room for Austin-turned-NYC-transplant Kat Edmonson. I happened upon Edmonson a few years back when friends were in town visiting. Wanting to give them an intimate Austin music experience, I took them to our cool little underground jazz joint (yes, Elephant Room) - and there was Edmonson. That sweet voice of hers gets me every time. She's incredibly talented, as was the band backing her during SXSW. And I definitely appreciated the last song I heard that had something to do with drinking a bit too much - bubbles in her case. How appropriate for SXSW shenanigans.
Kat Edmonson
Next up was Delta Spirit playing their brazillionth show of the week at Stubb's. I don't know how some of these bands do it. Honestly. I'm only running around WAY more than usual, but I'm not performing (not that I should be…if only you could hear my tone-deaf voice) show after show, hoping to garner new fans and critical acclaim. Regardless, Delta Spirit definitely did it…and I hope to see them again when they come back to Austin to play the new Emo's in April.
Delta Spirit
Last up Friday night was the rather eclectic British/Spanish electro band Crystal Fighters. I had listened to them beforehand, but I was not prepared for their dramatic and artful performance, which I found to be, for lack of a better word, weird. After splitting from that show early, I was going to try to push my way through the mad scene on 6th Street to see Alabama Shakes at Easy Tiger - and then Tea Leaf Green at the Jambase showcase - but a Car2Go was real close by. And my bed was calling in a bad way.
Big Easy Express - Premiere & Performance
My Saturday highlight - and one of my top of the fest - was the Big Easy Express premiere at the Paramount Theatre. Upon arriving, I thought there was no chance in hell I'd get in, but the guy manning the line assured those of us at the end that we'd get seats - and we surely did. Having gone to the Austin stop on the Railroad Revival Tour last year - featuring Mumford & Sons, Edward Sharpe & The Magnetic Zeros, and Old Crow Medicine Show - I was absolutely dying to see the film and the performance afterwards. I felt a lump forming in my throat a few times throughout the film. It really does seem like the tour of dreams, and Emmett Malloy did an excellent job capturing that on film, winning the Headliner Audience Award of the film fest. Members of all three bands performed after the showing - and being a big fan of all these bands, it was a real special experience, though a short one. I only wish I had gone to the event on the UT campus later that evening for a double feature - and a nearly two hour live performance. Damn it.
So rather than doing that (damn it, again!), I caught Sleigh Bells and Nas at Moody Theatre with a quick in-and-out of Perez Hilton's party at Austin Music Hall. Nas was about 45 minutes late taking the stage, which was souped up to the point of feeling like you were in New York City - complete with bus stop, subway station and skyline backdrop. Weed smoke wafting through the Moody (that's definitely a first in my experiences there), I left after a couple songs.
Grimy Styles
Heading back down dirty 6th (for the last time, thank gawd!), I ducked into Flamingo Cantina for the end of Grimy Styles' set. When I first started visiting Austin right before I moved here over four years ago, I saw Grimy Styles at FlamCan and fell in love. With the city. With the band. With the good vibes inside - and out - of the club. Having not seen them in awhile (I think the band is split between Austin and San Fran now), I was real happy they were in town and made the list of showcasing artists. FlamCan was packed for their show, too.
Jimmy Cliff
To close out Saturday night, I was determined to see Jimmy Cliff once more. After waiting in line for about a half hour outside of The Stage on Sixth, I made my way to the back patio and got as close in as I could. Unfortunately, the show didn't compare to the one I saw on Wednesday. The crowd and overall vibe kind of got under my skin. And considering Cliff had played upwards of 10 times through the week, including an appearance with Bruce Springsteen - and he's 63 - his energy was understandably lacking a bit (like mine was too). Regardless, I was happy to see him for only the second time in my life in just one week. And that was that for SXSW twenty-dozen…except for the sweet tunes of Deadeye, Austin's Grateful Dead tribute band, while chilling in the beer garden at Botticelli's on Sunday. Now that was a perfect end to nine days of spring break-y awesomeness.
MORE PHOTOS: SXSW Music 2012 (Part 1) SXSW Music 2012 (Part 2)
MORE RECAP: SXSW Music 2012 (Part 1)
by @crunchyMunckin
Laser beams in the ci-tay!
Well, another year is a wrap - and man, SXSW, you hurt so good! Kicking off in typical fashion (minus the torrential rain and colder weather) with the interactive and film portions beginning on Friday 3/9, South by Southwest 2012 drew the highest attendance record of the festival to date - and the people came to party (after business was done, of course).
After partaking in Nadia G.'s Bitchin Kitchen party at Easy Tiger on Saturday night - with open bar and free food - Austin's GSD&M held a party on Monday with, of course, an open bar as well. Motopony, Apache Relay and Heartless Bastards performed. Having fallen in love with Nashville's Apache Relay prior to the fest, I was super happy to see them live - and they definitely lived up to their hype. I was really impressed with Austin's very own Heartless Bastards (formed in Cincinnati), too, surprisingly not having seen them before this. Erika Wennerstrom's deep, raspy voice really won me over. Often drawing comparisons to The Black Keys, Heartless Bastards will certainly be seeing my face at their shows more - when they're not touring the country, that is.
Fiona Apple
For the first time ever, the official music portion of the fest began on Tuesday. After updating the OS on my iPhone - and losing all of my numbers (awesome!) - I rambled around downtown until ending up at the interactive closing party at Stubb's that night, catching M. Ward and Miike Snow. It was a great show to ease into the chaos that ensued on Wednesday, which musically began with Fiona Apple opening NPR's showcase at Stubb's. I hadn't heard much of Fiona since the "Criminal" days - and upon hearing that and a few other older songs, memories of her songs blaring at roller skating birthday parties and such brought me back to a time when I thought she was a complete and total badass. Ah nostalgia acts.
And speaking of nostalgia, perhaps seeing Jimmy Cliff at the old Emo's (temporarily named The Main) next would've sparked something of the same within me if only I had been familiar with him back in the day. Instead, I might as well have been on the beach in Jamaica grooving right then and there. That show put the biggest smile on my face and solidified me seeing him as the very last act of SXSW on Saturday.
1,2,3
After a brief encounter with Pujol at the Beauty Bar Backyard, next up was Pittsburgh's 1,2,3 at The Stage on Sixth. These guys really rocked their hearts out to the small crowd there. I was digging 'em, which could definitely not be said about the last band I saw on Wednesday. I had heard really good things about Unknown Mortal Orchestra, and, whoa, did they disappoint. The lead singer said he had lost his voice from playing so many shows already. Maybe it was just that, but I left soon after that show began and called it a night.
Ume
On Thursday, I happily got the heads up that Anthony Bourdain would be filming Austin's Ume at Hotel Vegas. God, does this band rock?!?! I've been meaning to catch them for awhile now, and I was honestly blown away. Lauren Larson shreds like no other chick I've seen! Seemingly sweet and innocent from her looks. she's a devil on guitar. She must get some sort of whiplash from the constant head banging too, right? Regardless, the show was stellar, and I loved taking pictures of the performance. It seems Bourdain had "No Reservations" about getting footage of Ume for his TV show…and rightfully so.
YAWN
After trekking down to W. 6th for the first showcase of the night and discovering a "band" I thought I wanted to see was a DJ, I made my way to Bar 96 for YAWN. It's a terrible band name. Period. At least that's how I feel. But the Chicago natives were hardly yawntastic with their electro-psychedelic-dance music that sprinkles afro-beats in between.
Jonquil
I could've almost cried when I got to Jonquil's show at Latitude 30 for seriously enough time to snap an over-exposed picture before they unplugged. I caught them last year for maybe ten minutes and was really hoping for more. Oh well…SXSW 2013 I guess.
Peaking Lights was next up on the agenda if they had been on time (they actually may have never played their show at Red 7), so I was going to catch The Black Angels across the street for a quick sec - but, alas, the line was crazy long. No matter! (I met someone over the week whose rasta name that is). Onto The Mohawk for The War on Drugs, which was a HUGE highlight of the fest for me. What is it with the Philly bands that I just love?! Their distorted and melodic indie rock perfectly filled the air, sending some serious chills up my spine. I have no idea what I tried to do after that show…regardless, it was a good night and great "start" (if you can call it that considering this was day #6 of my SXSW ramblings) to the fest.
MORE RECAP: SXSW Music 2012 (Part 2)
Taiwan music arrived at SXSW 2012 for the second year in a row. The bands participating in this year's event include Fire EX., Wonfu, and The White Eyes. Each band performed at a different venue for their official showcase and an afternoon showcase. Fire EX was invited to perform at the Austin Welcomes The World event which was hosted by the City of Austin's music plaza at City Hall.
THE WALL MUSIC and Government Information Office of TAIWAN presented the showcase, “Taiwan Sounds Delicious”. It featured performance from each of the Taiwan bands at SXSW and a buffet sampling of classic Taiwanese street food. This included fried noodles, shrimp rolls, and dumplings to name a few. Fire EX opened with their typical energetic and gutty performance. The White Eyes followed with the provocative lead singer, Gao Xiao Gao, wearing a flesh colored bodysuit and long boa of ribbons. She definitely captured the audience's attention. Wonfu closed out the show with their uplifting sounds and had the audience cheering.
Austin Welcomes The World was a showcase of international artists participating at SXSW. Director General Dr. Daniel Liao from the Taipei Economic and Cultural Office in Houston gave opening remarks, and Texas State Representative , Elliott Naishtat, followed with welcoming remarks and his warm appreciation of Taiwan and its people. Fire EX took the stage and showed the public its classic punk rock performance which has been entertaining audiences for over a decade across the world.
Taiwan music is making an impact in North America, and we look forward to more SXSW appearances in the future.
Rob Campanell Director of Content Programming Blastro Networks
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